Benedick’s Change of Heart by the End of Act 2 Scene 3 of...

Benedick’s Change of Heart by the End of Act 2 Scene 3 of William Shakespeares Much Ado About Nothing ‘Much ado about nothing’ is one of William Shakespeare’s popular comedy plays. With regards to the title of the play, the word ‘nothing’ in the title suggests it links with how characters in the play create so much bother about nothing. Speculation has occurred among people over the word ‘nothing’ in the play’s title. The word ‘nothing’ has a double meaning. Noting and nothing sounded identical in Shakespeare’s time. ‘Noting’ and ‘nothing’ is spoken a lot of in the play. ‘Noting’ (observing, overhearing) in the play may refer to the importance of how characters perceive one another and how†¦show more content†¦several characters within the play help convince everyone Hero is dead to prove she was not unfaithful. During the time in which this play was written men dominated society. Men were in superior to women and believed a wife should submit to her husband. The play would have been acted out by men and it was not until the 19th century that women had a role in theatre. Women were property to be bought by men or used as prostitutes. Women did not speak up; any that did were branded a shrew and needed taming. Virginity was a virtue, therefore it was demanded a bride should be a virgin and once a wife, should be faithful. Shakespeare explores these men’s attitudes to the place of women in society and incorporates his own opinions on the matter throughout the play. Performances of the play would have been held at the Globe Theatre in London. Performances would be entertainment for the public and may have lasted for up to three hours so therefore it was important for music to be played at intervals and parts of the play was spoken in prose. Different class of people would have visited the theatre, ranging from the poor that would watch from the ‘yard’ at the front of the stage, to the rich that would make them selves seen by sitting directly above the stage. In regards to the essay question I will be looking at how the views of theShow MoreRelatedMuch to Do with Deception2356 Words   |  10 Pagesâ€Å"Much To Do With Deception† A Critical Research Paper about William Shakespeare’s Much Ado About Nothing Much Ado About Nothing, written by William Shakespeare, is a dramatic production that uses the tools of deception and humor under the category of comedy. As defined by Paul N. Siegel, â€Å"A comic play is usually accepted to be a light-hearted play with a happy conclusion.† Yet, Shakespearian tragic plays often use deception as a method to damage the role of the hero. In other Shakespearian tragediesRead MoreAcknowledging Female Stereotypes in Much Ado About Nothing1653 Words   |  7 PagesAcknowledging Female Stereotypes in Much Ado About Nothing Women in the Elizabethan age were extremely repressed and discriminated against. Most would not have gone to school or received any type of formal education. They were not allowed to vote, own property, or freely voice their opinions. They were seen as the property of a man, subject to his wants, needs, and not allowed to have their own; men held extremely stereotypical views of their female counterparts that helped them justify the wayRead MoreLove in Much Ado About Nothing by William Shakespeare Essay2260 Words   |  10 PagesLove in Much Ado About Nothing by William Shakespeare Shakespeare is well known for presenting the full repertoire of human emotions, and love is no exception. Much Ado About Nothing is unquestionably a play about love. Shakespeare provides the audience with a whole gamut of lovers from the banal Claudio and Hero to the rebellious Beatrice and Benedick. It is this range which allows Shakespeare to critique the conventions and perceptions within his renaissance societyRead MoreMuch Ado About Nothing By William Shakespeare2685 Words   |  11 PagesMuch Ado about Nothing is a humorous play by William Shakespeare set in the city of Messina located in southern Italy. The acts have two main locations; Leonato’s house and his orchard. The others were sidelines; the church and the street where Dogberry and Verges discovered the villainy. Many scenes take place inside the several rooms of Leonato’s house, including scene 4 of Act 3. The main emergence of Benedick and Beatrice’s love story takes place in the orchard, without which the play is incomplete